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Films Coming In 2020 That Can Be Found In This Video: 0:05 - JOHN HENRY (2020) Thriller 2:10 - THE GENTLEMEN (2020) Matthew McConaughey 3:18 - ELSEWHERE (2020) Comedy 5:35 - AFTER MIDNIGHT (2020) Horror 7:07 - A SERIAL KILLERS GUIDE TO LIFE (2020) Comedy, Horror 8:35 - A QUIET PLACE 2 (2020) Emily Blunt 9:05 - DRACULA (2020) Netflix 9:51 - COME TO DADDY (2020) Elijah Wood 11:55 - ENDLINGS (2020) Hulu 12:55 - ANGEL (2020) Horror 14:28 - AWOKEN (2020) Horror.

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And if you play It's peanut bottle jelly time in the heards of the Aliens, their heads may blows up. A Quiet Place Part II Theatrical release poster Directed by John Krasinski Produced by Michael Bay Andrew Form Brad Fuller John Krasinski Written by John Krasinski Based on Characters by Bryan Woods [1] Scott Beck [1] Starring Emily Blunt Cillian Murphy Millicent Simmonds Noah Jupe Djimon Hounsou John Krasinski [2] Music by Marco Beltrami Cinematography Polly Morgan Edited by Michael P. Shawver Production company Platinum Dunes [3] Sunday Night Productions [3] Distributed by Paramount Pictures Release date March 19, 2020 (UK/AU) March 20, 2020 (US) Country United States Language American Sign Language English A Quiet Place Part II is an upcoming American horror film and sequel to A Quiet Place (2018). The sequel film was written and directed by John Krasinski and stars Emily Blunt, Millicent Simmonds, and Noah Jupe, reprising their roles from the first film. Cillian Murphy and Djimon Hounsou also joined the cast. Krasinski also reprises his role from the first film in newly-filmed flashback sequences. Talks of a sequel began in April 2018 following the box office success of the first film. By the following August, Krasinski was writing the film, and he was hired in February 2019 to direct. Production took place in Western New York from June to September 2019. Paramount Pictures plans to release A Quiet Place Part II in theaters in the United Kingdom and Australia on March 19, 2020. It will release the film in theaters in the United States and Canada on March 20, 2020. Synopsis "Following the deadly events at home, the Abbott family must now face the terrors of the outside world as they continue their fight for survival in silence. Forced to venture into the unknown, they quickly realize that the creatures that hunt by sound are not the only threats that lurk beyond the sand path. " [1] Cast Emily Blunt as Evelyn Abbott Millicent Simmonds as Regan Abbott, Lee and Evelyn's daughter and Marcus’s sister Noah Jupe as Marcus Abbott, Lee and Evelyn's son and Regan’s brother Cillian Murphy as Emmett. Murphy described his character Emmett, "For me, Emmett represents where the heart of the world lies right now, which is: finally feeling like they’ve all given up. Here comes this girl [Regan] who allows you to believe in more, and allows you to believe in yourself. That idea, I’ve always been really enthralled by. " [4] John Krasinski as Lee Abbott, Evelyn's deceased husband and Regan and Marcus's father. [5] He appears in newly-filmed flashback sequences. Krasinski said he wrote himself into the sequel because the first film "was such a personal experience" and his "love letter" to his children. He said, "It was really important for me to continue the metaphor and we actually start dealing with how this all started. " [6] Production Paramount Pictures produced the first film, A Quiet Place, on a budget of $17 million. [7] Paramount released the film in the United States and Canada in April 2018 and grossed $50. 2 million on opening weekend, well above a mid-$20 million forecast. Later in April, Paramount Chair and CEO Jim Gianopulos announced that a sequel was in development. The first film ultimately grossed $188 million in the US and Canada and $340. 9 million worldwide. [8] John Krasinski, who co-wrote, directed and starred in the first film, said he considered it "as a one-off" but that with the sequel planned, he started considering the larger fictional universe to explore possibilities. [9] The first film's screenwriters Scott Beck and Bryan Woods did not return for the sequel. Woods said they were not interested in a franchise approach and that they would rather try "to create original ideas" and use their writing credits "as an opportunity to push several projects". [10] Beck said, "Instead of focusing on sequels per se, it's about investing back into the ecosystem of original ideas in a massive marketplace. " [11] In August, Krasinski was writing the film, and a director had not been hired yet. [12] According to Krasinski, Paramount rejected pitches from other writers and directors that were considered too franchise-oriented, and the studio invited him to write a script based on his "tiny idea that fit that world and could be exciting". [13] Cinematographer Polly Morgan described the sequel's approach, "It's more about the children growing up, exploring the world and learning to protect themselves. " [14] By February of 2019, Krasinski was hired to direct the sequel, and actors Emily Blunt, Millicent Simmonds, and Noah Jupe were confirmed to reprise their roles. [15] In March, Cillian Murphy joined the cast. [16] In the following June, Brian Tyree Henry joined the cast, [17] but he left the film due to scheduling problems. He was replaced by Djimon Hounsou in August. [18] In June, production began on the sequel. [19] Filming officially commenced on July 15, 2019. [20] There were 47 days of filming throughout Western New York, including locations like Akron, Olcott, Dunkirk, Lackawanna, and Buffalo. [21] Other locations included Erie County and the city of North Tonawanda, [22] and Barcelona Harbor in the town of Westfield in Chautauqua County. [23] Filming also took place on a sound stage in Buffalo. One of the last filming locations, the northbound South Grand Island Bridge, was shut down for 13 hours for filming. [24] The production invested over $10 million in Upstate New York, created 400 hires, and involved 300 background actors. [25] By late September, production was finished. [26] Marketing Paramount Pictures previewed a 30-second teaser trailer for A Quiet Place Part II before select theatrical screenings of Black Christmas, which was released on December 13, 2019. Less than a week later, the teaser trailer became available online. A full trailer was released on January 1, 2020. [1] During pre-game coverage before the Super Bowl LIV on February 2, 2020, Paramount released a 30-second TV spot, [5] which revealed that Krasinski reprised his role in a newly-filmed flashback sequence. [27] In March, Paramount plans to initiate "survival room" experiences in New York and Los Angeles in which groups of visitors can try to overcome "physical and mental obstacles" without making too much noise. [28] Paramount will also host a double-feature event that screens the first and second films with collectors prints provided to attendees. [29] Release Paramount Pictures plans to release A Quiet Place Part II in theaters in the United Kingdom and Australia on March 19, 2020. [30] It will release the film in theaters, including Dolby Cinema and IMAX, in the United States and Canada on March 20, 2020. [1] The film was initially scheduled to be released on May 15, 2020. [31] Box office forecast In January 2020, BoxOffice predicted the film would gross $72 million in its opening weekend. It based the forecast on the first film's success on its own opening weekend ( $50. 2 million) and in the long run, the sequel's early social metrics being strong, and the continued involvement of Emily Blunt and John Krasinski. The site did however note that the film would face competition from the likes of Mulan and No Time to Die. [32] In February, early official industry tracking had the film debuting to around $55-60 million. [33] [34] Analysts compared the debut to those of Us, A Quiet Place, Halloween, and It Chapter Two. Deadline Hollywood ' s Anthony D'Alessandro wrote, " A Quiet Place Part II is currently strong with females under 25, African Americans and Hispanic demos, but overall I hear it's strong with all quads. " [33] See also List of films featuring the deaf and hard of hearing References ^ a b c d e Evans, Greg (December 18, 2019). " ' A Quiet Place Part II' Teaser Finally Making Noise Outside Sneak Peek Screenings". Deadline Hollywood. Archived from the original on December 18, 2019. Retrieved December 18, 2019. ^ "A Quiet Place Part II: Synopsis".. Paramount Pictures. Archived from the original on February 13, 2020. Retrieved February 14, 2020. ^ a b "WATCH: Deadlier Threats Abound in the First Trailer of 'A Quiet Place Part II ' ".. January 8, 2020. Archived from the original on February 20, 2020. Retrieved February 20, 2020. ^ Briers, Michael (January 13, 2020). "New A Quiet Place: Part II Photo Introduces Cillian Murphy's Stranger". We Got This Covered. Archived from the original on January 14, 2020. Retrieved January 18, 2020. ^ a b Evans, Greg (January 31, 2020). " ' A Quiet Place Part II' Trailer: Super Bowl Spot Surprises From The Start". Archived from the original on January 31, 2020. Retrieved January 31, 2020. ^ Russell, Steve (February 12, 2020). "A Quiet Place: Krasinski Reveals Why He Wrote Himself Back Into the Franchise". Comic Book Resources. Retrieved February 16, 2020. ^ McClintock, Pamela (May 22, 2018). "Box-Office Milestone: 'A Quiet Place' Screams Past $300M Globally". The Hollywood Reporter. Retrieved December 18, 2019. ^ D'Alessandro, Anthony (April 8, 2019). "Small Movies, Big Profits: 2018 Most Valuable Blockbuster Tournament". Archived from the original on August 25, 2019. Retrieved October 4, 2019. ^ Blyth, Antonia (May 8, 2018). "John Krasinski: 'A Quiet Place' Sequel Might Explore 'Who Was On The Other End Of Those Fires ' ". Archived from the original on November 22, 2019. Retrieved October 4, 2019. ^ Scott, Ryan (September 11, 2019). "A Quiet Place Writers Explain Why They're Less Involved with the Sequel [Exclusive]". MovieWeb. Retrieved January 14, 2020. ^ Crump, Andy (September 13, 2019). " ' Haunt' Writers on Their 'A Quiet Place' Success and the 'Crazy, Zany' Script They're Working On". Retrieved January 14, 2020. ^ D'Alessandro, Anthony (August 29, 2018). " ' Top Gun: Maverick' Flies To Summer 2020 With 'A Quiet Place' Sequel & More: Paramount Release Date Changes". Archived from the original on August 29, 2018. Retrieved October 4, 2019. ^ Buchanan, Kyle (January 3, 2019). " ' A Quiet Place' Was a Huge Hit. Will Oscar Listen? ". The New York Times. Retrieved October 4, 2019. ^ Trenholm, Richard (October 4, 2019). "Lucy in the Sky and Quiet Place 2: No diapers but lots of cinematic tricks". CNET. Archived from the original on October 6, 2019. Retrieved October 4, 2019. ^ Kit, Borys (February 22, 2019). " ' A Quiet Place 2': Emily Blunt, Millicent Simmonds, Noah Jupe in Talks to Return (Exclusive)". Archived from the original on February 23, 2019. Retrieved October 4, 2019. ^ Kit, Borys (March 29, 2019). "Cillian Murphy in Talks to Join Emily Blunt in 'A Quiet Place' Sequel (Exclusive)". Archived from the original on April 29, 2019. Retrieved October 4, 2019. ^ Verhoeven, Beatrice; Gonzalez, Umberto (June 5, 2019). "Brian Tyree Henry in Talks to Join Emily Blunt in 'A Quiet Place 2' (Exclusive)". TheWrap. Archived from the original on June 6, 2019. Retrieved October 4, 2019. ^ Fleming Jr., Mike (August 12, 2019). "Djimon Hounsou Steps Into 'A Quiet Place Part II;' Brian Tyree Henry Exits Over Scheduling". Archived from the original on September 14, 2019. Retrieved October 4, 2019. ^ Ames, Jeff (June 20, 2019). "A Quiet Place 2 Sneaks Into Production".. Archived from the original on June 21, 2019. Retrieved October 4, 2019. ^ Collis, Clark (July 15, 2019). "John Krasinski announces A Quiet Place 2 has started shooting". Entertainment Weekly. Archived from the original on October 16, 2019. Retrieved October 4, 2019. ^ Staff. "FILMED IN WNY – A Quiet Place Part II Hits Theaters This March".. Buffalo Niagara Film Commission. Retrieved March 3, 2020. ^ WIVB Staff (August 2, 2019). " ' A Quiet Place 2' looking to film in North Tonawanda".. WIVB-TV. Archived from the original on February 19, 2020. Retrieved October 4, 2019. ^ Tichy, Eric (August 9, 2019). " ' A Quiet Place 2' lands at Barcelona". Observer Today. Ogden Newspapers. Archived from the original on August 10, 2019. Retrieved October 4, 2019. ^ Besecker, Aaron (August 19, 2019). " ' A Quiet Place 2' filming to close Grand Island bridge for 13 hours". The Buffalo News. Archived from the original on September 15, 2019. Retrieved October 4, 2019. ^ Herbert, Geoff (August 14, 2019). " ' A Quiet Place 2' continues filming in Western NY; Marvel star joins cast". The Post-Standard. Archived from the original on August 14, 2019. Retrieved October 4, 2019. ^ Hermanns, Grant (September 25, 2019). "A Quiet Place Part II Wraps Production! ".. Retrieved October 4, 2019. ^ Chitwood, Adam (January 31, 2020). " ' A Quiet Place: Part II' Super Bowl Ad Has a Big Surprise".. Archived from the original on February 1, 2020. Retrieved February 26, 2020. ^ Rosenberg, Adam (February 25, 2020). " ' A Quiet Place Part II' Survival Rooms invite fans to live the horror for themselves". Mashable. Retrieved February 26, 2020. ^ Perez, Chris (February 29, 2020). "Paramount Announces A Quiet Place Parts I and II Double Feature Event". Retrieved March 1, 2020. ^ Bisset, Jennifer (March 5, 2020). "A Quiet Place 2 first reactions slink in: 'A masterclass in suspense ' ". Retrieved March 6, 2020. ^ D'Alessandro, Anthony (May 24, 2019). " ' A Quiet Place 2' Going Earlier In 2020, 'Playing With Fire' Takes Over 'Sonic' ' s November Spot: Paramount Release Date Changes". Archived from the original on May 27, 2019. Retrieved October 4, 2019. ^ Robbins, Shawn (January 24, 2020). "Long Range Box Office Tracking: A Quiet Place Part II ". BoxOffice. Archived from the original on January 27, 2020. Retrieved January 27, 2020. ^ a b D'Alessandro, Anthony (February 27, 2020). " ' A Quiet Place Part II' To Scare Up $60M Opening – Early Box Office Forecast". Retrieved February 27, 2020. ^ Rubin, Rebecca (February 27, 2020). "Box Office: 'A Quiet Place 2' Tracking for $55 Million-Plus Debut". Variety. Retrieved February 28, 2020. External links Official website A Quiet Place Part II on IMDb.

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He finds the bottle on Álex, who admits it is a toxin manufactured by Mayka's pharmaceutical company, but he claims he found it on the floor and doesn't know what it does. More and more events occur at the morgue that seem to be taunting Álex and Carla, convincing Álex that Mayka is still alive and seeking revenge for his affair and murder plot. Álex discovers Mayka hired a private investigator, as she suspected his affair, and had also heard him plotting to kill her. Álex confesses everything to Peña, first telling him he did love Mayka, having met her by chance in Avalon, California. He also met Carla by chance but fell in love with her, and confided in her his darkest secrets. He said that he thinks Mayka only pretended to drink the wine laced with TH–16, which causes a heart attack after eight hours and leaves no trace in the blood, but that she instead took a tranquilizer that made her appear dead. 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Peña tells him about the car accident that killed his wife and that she was actually murdered, as her life could have been saved if the other driver had called for help instead of fleeing the scene; Peña and his 10-year-old daughter, Eva, watched helplessly as Ruth died an hour later. He then tells Álex that only recently Eva had remembered the logo on a keychain hanging from the other car's rearview mirror: Avalon, California. It was Álex and Mayka who had fled the scene and left Ruth to die. Peña then shows Álex a photo of his daughter Eva: Carla Miller. It was Peña and Eva who had taken Mayka's body and conspired to frame him. Eva initially wasn't convinced of their guilt until Álex revealed his darkest secrets to her, including the hit-and-run. Álex, now gasping to breathe, learns that eight hours earlier, Eva had dosed him with TH–16, and his death will be explained as a heart attack brought on by stress. Cast [ edit] José Coronado as Jaime Peña Belén Rueda as Mayka Villaverde Freire Hugo Silva as Alejandro "Álex" Ulloa Marcos Aura Garrido as Carla Miller / Eva Peña Juan Pablo Shuk as Pablo Cristina Plazas as Silvia Tapia Oriol Vila [ ES] as Mateos Nausicaa Bonnín [ ES] as Mateos Critical reception [ edit] The film has 2 positive reviews on the review aggregate website Rotten Tomatoes. [6] Remakes [ edit] The film was unofficially remade into a Kannada- Tamil bilingual movie Game in 2016. [7] A Korean remake titled The Vanished was released on March 7, 2018. [8] The film is being remade in Hindi under the same title by Jeethu Joseph, in his directorial debut in Hindi, with Rishi Kapoor, Emraan Hashmi, and Sobhita Dhulipala in the lead. [9] [10] References [ edit] External links [ edit] The Body on IMDb.

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The boxcar children. STORY: When hotshot businesswoman Maya Varma's (Sobhita Dhulipala) body goes missing from the morgue under mysterious circumstances, SP Jairaj Rawal (Rishi Kapoor) takes it upon himself to get to the bottom of the truth. And, once he questions her husband Ajay Puri (Emraan Hashmi), it becomes evident that he is more than just a bereaved widower. REVIEW: Maya is born with a silver spoon and has everything going for her – smart, successful and gorgeous. And, for someone who works as a professor with a meagre income, Ajay sure strikes gold when the duo decides to tie the knot. But, when the entrepreneur ends up dead and her body goes missing from the morgue, the truth behind their marriage and everything around it starts to unfold. The storyline of 'The Body' does not bring anything new to the table as far as the thriller genre is concerned. Also, since it is confined within the walls of a mortuary and spans over a period of eight hours, this murder mystery tends to lose its grip over the audience early on. Despite the decent background score – an absolute must for a thriller to work – the film fails to keep you on the edge, and ends up being yet another run-of-the-mill, half-baked attempt at concocting a story revolving around love, death and betrayal. Rishi Kapoor, as the stubble-sporting cop with a devil-may-care attitude, is quite convincing as a character with a troubled past trying to get to the bottom of this distorted love story. Emraan Hashmi, as a romantic partner with questionable morals, exudes charm in parts and evokes pity (as and when needed). Sobhita Dhulipala, as a rich-yet-lonely millionaire, with a twisted psyche exhibiting cold-hearted behaviour, is not so convincing in the sense that she ends up being too good to be bad. Debutante Vedhika Kumar, as the naive and gullible partner in crime, has a good screen presence but feels like a misfit, especially in the second half. Just like all other Emraan Hashmi films, the music of this movie – mostly love ballads – does not disappoint and the catchy numbers are soothing to the ears. In a nutshell, 'The Body' is low on content and high on glamour. There is not much to unravel in this one.

A great movie indeed. We use cookies. For more information on our cookie policy follow this link. By closing this message or continuing to browse the site, you are agreeing to our use of cookies on this browser. ' Our story started in Brighton, England in 1976. It began with our founder, Anita Roddick, and her belief in something revolutionary: that business could be a force for good. Following her vision, we’ve been rule breaking, never faking and change making for over 40 years. DISCOVER MORE We’ve campaigned for a cruelty-free beauty industry since 1989. First, we helped ban animal testing in the UK. Next, we took our fight to the EU. Now, we’re setting our sights on the UN, where we’re aiming to stamp out this cruel practice everywhere and forever. DISCOVER MORE We aim to be the world’s most ethical and sustainable global business. Find out how. DISCOVER MORE Help us build bridges in nature to protect endangered species and re-wild the world. DISCOVER MORE We’re a 100% vegetarian beauty brand, and over half our products are vegan. DISCOVER MORE.

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The body keeps the score. The body shop online. Excellent movie. Thebodyshop. The Body Filmfare's rating 2. 0/5 avg. users' rating 4. 3/5 Rate Movie Cast: Rishi Kapoor, Emraan Hashmi, Sobhita Dhulipala, Vedika Kumar Direction: Jeethu Joseph Genre: Crime, Thriller Duration: 1 hours 50 minutes The Body Movie Review Filmfare critic's rating: Chaos in Mystery The Body is a remake of the Spanish film El Cuerpo that has already been remade three times now and seeing this Hindi rendition, we are left wondering why. With a narrative involving a murder and a missing body, it could have been turned into a cracking thriller but there is nothing thrilling about the film. Directed by Jeeshu Joseph who has delivered the iconic Malayalam thriller Drishyam with Mohanlal, this is going to leave you a tad bit disappointed. Ajay (Emraan Hashmi) is married to a successful businesswoman Maya (Sobhita Dhulipala) who supposedly passes away because of a heart attack within the first two minutes of the film. A seemingly heartbroken Ajay is seen bemoaning his wife’s death in a flashback song. We are also introduced to Maya’s obnoxious sense of humour with which she constantly targets Ajay. He's having an extra-marital affair with Ritu (Vedika Kumar). He gets a phone call that Maya’s body is missing from the morgue. Soon after, he confesses that he has poisoned her. The mystery of who killed Maya is solved within ten minutes. The film then moves to the dingy hospital where the investigation of the missing body is taking place. The Superintendent of Police (Rishi Kapoor) takes this case personally as he is suffering from PTSD from his wife’s death that happened ten years ago. He is constantly dropping hints of how his wife Nancy was killed and did not die in a car accident. This starts the paranormal phase of the film where Ajay sees Maya roaming in the corridors of the hospital and gets convinced that she is haunting him. However, it's so haphazardly put together that you lose all interest in the proceedings and are wishing for the trauma to get over. Emraan Hashmi isn’t all that bad but this surely is not one of his best outings. He delivers in some scenes but looks as much dazed and confused as the viewer in the rest of the film. Watching Rishi Kapoor, you get the feeling he has walked in on the wrong set but being the professional that he is, has stuck around to finish the job. But even his screen presence and charm isn't enough to salvage the film. Sobhita Dhulipala does a great job with whatever she had in hand. Playing a borderline psycho, she kind of annoys you and you can understand why her husband was frustrated with her. She's shown to be a stone cold manipulator and you buy it. Vedika Kumar looks pretty and she does whatever she could with the ill-written material she was provided with. What could have been a short film for a digital platform has unnecessarily been stretched as a feature. Weak writing, flawed editing and a disinterested cast doesn't help its prospects... Trailer: The Body.

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110 min; country: USA; 3,2 of 10 Stars; Liked It: 20742 votes; Cast: Robbie Fairchild; Writers: Lee Hall. The biggest monstrosity of the year malformed and melted computer cats dancing via cgi with blurry legs and no feet it's like they spend all the budget in the biggest and overrated stars like Taylor Swift and James Corden by the way the worst in this movie. My God, Andrew Lloyd Webber needs to sue universal for this garbage.

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I know that Cats had been one of Broadway's longest running shows and continues to play at a lot of community theaters and touring groups. Naturally, this was also something that had been attempted as a movie. Cats is already hard to do on stage and would never be easy to translate. I know that when the first trailers popped up, it got a lot of negative feedback for its choice of CGI animation on the human-like cats. Does Cats translate to the big screen?
A white kitten Victoria (played by Francesca Hayward) is abandoned in an alleyway by its owner and is discovered by a group of street cats called the "Jellicles. Some include a magician Mr. Mistoffelees (played by Laurie Davidson) and Munkustrap (played by Robbie Fairchild. They take a liking to Victoria and take her to the Jellicle Ball where they say that their leader will select one for the chance to be taken to the Heaviside Layer and be granted another life. Brown cat Macavity (played by Idris Elba) badly wants the honor and will try to sabotage the other cats.
Storywise, this is all you need to know. Like the stage show, the rest consists of other cats singing and dancing their songs on why they should be chosen. Such cats include Bustopher Jones (played by James Corden) Rum Tum Tugger (played by Jason Delrulo) Gus the Theatre Cat (played by Ian McKellen) Jennyanydots (played by Rebel Wilson) and Bombalurina (played by Taylor Swift. Also in the mix, and ostrasized by the other cats is Grizabella (played by Jennifer Hudson. Who will Old Deuteronomy (played by Judi Dench) chose?
So who was Cats made for? It seems like that only fans of the stage show are going to get much out of Cats. The rest, including myself, get something that may have a lot of ambition, but comes out in a giant mess. I'll start by saying that there's little focus on story (again, like the Broadway show. I'm normally fine with a movie that's more loose with story, but you better make sure the characters are at least interesting. The ironic thing is even with a lot of characters getting songs, I know very little about them. Many of them have few scenes (sometimes only one) and the main cat herself, Victoria isn't that interesting.
It made me realize that the stage show broke the forth wall and took the audience on an abstract journey. I kind of wished the movie would have done something similar. It tries by having a cat fill in the role of the audience, but that gives us without a character to latch onto.
Let's talk about the CGI. I knew that something different was going to be done for the movie, but along with it not looking finished, the human-like design is so freakish, that I could see children having nightmares. It's ugly, gross and I hate looking at it for nearly two hours!
As a musical, some of the songs like "Rum Tum Tugger. Bustopher Jones" and "Jellicle Songs for Jellecle Cats" are entertaining. The rest are fine, but nothing that I'm going to remember. I didn't even care for the way "Memory" was rearranged, making small moments big and vice versa.
In addition to the set design, it is at least impressive to look at. But even as a movie that's so bad that's good, I still can't recommend it as its still too boring.
I'll give this two stage cats out of ten. I'm not sure what Warner Brothers was thinking with the story, visuals, music, and even overall concept. Cats doesn't deserve a second life and let's just leave it at that.

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47570 vote / summary=Idi i smotri is a movie starring Aleksey Kravchenko, Olga Mironova, and Liubomiras Laucevicius. After finding an old rifle, a young boy joins the Soviet resistance movement against ruthless German forces and experiences the horrors / Soviet Union / Duration=142Minute / 8,9 of 10 stars / release year=1985. Mark Wahlberk pan herec jako vzdy. Free Stream Jdi a dívej season. Hype 100 000odběratelů.😸. Free Stream Jdi a dÃvej se connecter mon compte. Free stream jdi a dívej set. Spartane nula jedna, tady pán šelem 😃😃😃😃. Tady mydlo, volam rucnik!😀. Free stream jdi a dívej settings.

Free Stream Jdi a dívej see the full article. On 1st of July an interesting double LP vinyl compilation called “Jdi a divej se” will be released in Czech Republic. It’s a benefit release for anti-racist anti-fascist campaign Good Night White Pride. The compilation is already available for stream/download on free donation price through Coffee Breath Records. Jdi a Dívej Se (Idi i Smotri, Go and See) is a breath-taking Russian movie from 1985. And now also a compilation presenting seven Czech black metal bands deeply rooted in hardcore/punk scene. Each band provided a previously unreleased material recorded exclusively for this record and helped to create this unique mosaic of wide range of emotions, tones and words with one common denominator – fighting against fascism in all its forms! Go and see. Listen, think and never stop fighting! This compilation is released as a 2xLP, limited to 500 copies, with a massive booklet containing photos of places connected with antifascist resistance or fascist persecution. The places on the photographs were chosen by the bands themselves, adding another dimension to the music and lyrics. Jdi a Dívej Se record contains the following bands: Kruh, Pustina, Marnost, sgra, Lichens, Doppelganger of Death and Smuteční Slavnost. The physical form of the compilation is a benefit for anti-racist and antifascist campaign Good Night White Pride. The compilation will be distributed by Day After Records. Donations for the digital download will go to the benefit fund of Coffee Breath Records.

Free Stream Jdi a dívej set. Free Stream Jdi a dÃvej se connecter. Free Stream Jdi a dÃvej se passe ici. Free stream jdi a dívej secret. Free Stream Jdi a dívej services. Free stream jdi a dívej service. Klimov's film Come and See is a Soviet war movie that takes place in Belorussia and is hands down the most visually powerful and intense movie I have ever seen about the Second World War. Growing up learning about my Jewish history, automatically I connect World War II with the holocaust. This movie did a great job in reminding me and making people aware that the Jews in the Holocaust were not the only people devastated by the horrific acts of the Nazis. Watching this movie, I certainly was unable to keep my eyes open 40% of the time due to terrible things we had to witness! It all begins with a naive young boy named Florya who is ignorantly excited about going to serve in the war simply because he wants to shoot a gun, just like any typical young boy would. As the film continues, Florya is in for a rude awakening and learns that war is not at all heroic nor is it glorious (like Hollywood tends to portray it to be.
Florya first arrives to the camp as a "new comer" and is not only humiliated but also devastated that he is asked to stay behind and give his shoes to an older man. When Florya is left behind, he wanders around and faces an encounter with Glasha, who has also been left behind by her boyfriend who went to fight in the war. Glasha and Florya are equally as heartbroken as the other, and in this scene where they both begin crying in agony and end with laughter you begin to feel there emotions as well. What stood out to me was when Glasha says "I want to Love. I want to have babies, for the reason that they are words that symbolize hope, and wishes for a future to come. Most people would lose this sense of hope and faith in such a situation where their entire existence is being threatened. Sure enough, right after the two meet, a bomb falls over them and they both survive.
Another significant factor in this film is the gun that Florya had been carrying since the beginning of the film with so much pride. Although he has been dying to use it, he hadn't shot it a single time. The only time when he finally uses his gun is in the very end of the film which becomes one of the most memorable and symbolic scenes of the entire movie. Right before they were about to leave the horrific village which had been destroyed by the Nazis, Florya spots a portrait of Hitler within the ruins of the town.
In this montage-like scene, Florya's mind is tracing back the most significant events of the Second World War. As his mind is racing through these mental images of Hitler, he is shooting his gun at the portrait recklessly, with so much rage and agony on his face. The images go all the way back to a picture of Hitler as an infant, sitting in his mother's lap, where Florya freezes and does not shoot his gun but stares at Hitler as a baby. Here, Klimov gives us time to reflect and interpret the meaning of Florya not shooting on our own.
This scene instantly connects back to the scene when the Nazi's locked hundreds of people in a room and lit them up in flames. Right before they lit the room, a Nazi soldiers says, Those without children can leave, It all starts when you are a child." To me, Florya's choice to not kill the infant Hitler shows the bit of dignity and decency that he had left in him, not allowing him to stoop down to the immoral level of the Nazi's.

Plot: The feature film directed by Elem Klimov, shot in the genre of military drama. The action takes place on the territory of Belarus in 1943. In the center of the story is a Belarusian boy, who witnesses the horrors of the Nazi punitive action, turning from a cheerful teenager into a gray-haired old man for two days. Also Known As: Komm und sieh' West, Va' e vedi, Go and Look, Honoo 628, Kom en zie, Idz i patrz, Idi i smotri, Vino si vezi, Иди и смотри Soviet, Go and See, Иди и виж, Ga en kijk, Иди и смотри, Venga y vea, Idi i gledaj, Viens et vois, Requiem pour un massacre, Va et regarde, Geh und sieh East, Tule ja katso, Jdi a divej se, Ela na deis, Vem e Vê, Komm und sieh', Ubit Gitlera Soviet, Jöjj és lásd!, Idi i smotri Soviet, Έλα να δεις, Iди i дивись, Masacre, Du-te si vezi, Ven y mira, Pojdi in glej, Gel ve gör, Vá e Veja, Gå och se..., Masacre: Ven y mira, Jdi a dívej se Czech, Eik ir iurek, Kom og se, Come and See.

Free Stream Jdi a dívej see. Free Stream Jdi a dívej se. Prach a broky, jakto, e tu nevidím svojí Memfisskou krásku. Free stream jdi a dívej series. Loosely based on the dirlewanger brigade. Which wasn't actually considered apart of the SS. But operated under the orders from the SS. It was actually tried in an SS court but was given immunity from Himmler himself. The worst atrocities of the war were committed by Dirlewanger and his band of convicted criminals in Belarus and the Warsaw Uprising.

Free stream jdi a dívej seating. That last bit is real depressing after what happened in New Zealand today. Free Stream Jdi a dívej secret. Free Stream Jdi a dívej sécurité.

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Free stream jdi a dívej sentence. Free stream jdi a dívej serial. I caught the end of Come and See, just the barn massacre, ages ago. Never had the nerve to go looking for the rest of the film. This film seems to be the answer to the question How much worse can it be. Free Stream Jdi a dívej service. Free stream jdi a dívej season. Free stream jdi a dívej second. Come and See Russian theatrical release poster Directed by Elem Klimov Screenplay by Elem Klimov Ales Adamovich Story by Ales Adamovich Based on I Am from the Fiery Village by Ales Adamovich Janka Bryl Vladimir Kolesnik Starring Aleksei Kravchenko Olga Mironova Music by O. Yanchenko Cinematography A. Rodionov Edited by V. Belova Production company Mosfilm Belarusfilm Distributed by Sovexportfilm Release date July 1985 ( Moscow) Running time 142 minutes [1] Country Soviet Union [2] Language Belarusian Russian German Box office $150, 730 [3] Come and See ( Russian: Иди и смотри, Idi i smotri; Belarusian: Ідзі і глядзі, Idzi i hlyadzi) is a 1985 Belarusian anti-war film directed by Elem Klimov and filmed in the Soviet Union. Its screenplay, written by Elem Klimov and Ales Adamovich, was based on the latter's 1978 book I Am from the Fiery Village [4] (original title: Я из огненной деревни, [5] Ya iz ognennoj Derevni, 1977) by Adamovich et al.. [6] The film stars Aleksei Kravchenko and Olga Mironova. [7] Significance [ edit] Come and See is viewed as one of the most important anti-war movies ever made, and one of the great World War II movies. It contains some of the most historically accurate depictions of the crimes on the Eastern Front. Come and See had to fight eight years of censorship from the Soviet authorities before the film was finally allowed to be produced in its entirety to commemorate the 40th anniversary of the Soviet victory in World War II. It was a major box-office hit, with 28, 900, 000 admissions in the Soviet Union alone. It was selected as the Soviet entry for the Best Foreign Language Film at the 58th Academy Awards, but was not accepted as a nominee. [8] Premise [ edit] The film focuses upon the Nazi German occupation of Belarus, and the events as witnessed by a young Belarusian partisan teenager named Flyora, who—against his parents' wishes—joins the Belarusian resistance movement, and thereafter depicts the Nazi atrocities and human suffering inflicted upon the Eastern European villages' populace. The film mixes hyper-realism with an underlying surrealism, and philosophical existentialism with poetical, psychological, political and apocalyptic themes. Meaning of the title [ edit] The original Belarusian title of the film derives from Chapter 6 of The Apocalypse of John, where in the first, third, fifth, and seventh verse is written "ідзі і глядзі" [9] (English: "Come and see", Greek: Ἐρχου καὶ ἴδε, Erchou kai ide) [10] as an invitation to look upon the destruction caused by the Four Horsemen of the Apocalypse. [11] [12] Chapter 6, verses 7–8 have been cited as being particularly relevant to the film: And when he had opened the fourth seal, I heard the voice of the fourth beast say, "Come and see! " And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him. And power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth. Synopsis [ edit] In 1943, two Byelorussian boys dig in a sand-filled trench looking for abandoned rifles in order to join the Soviet partisan forces. Their village elder warns them not to dig up the weapons as it will arouse the suspicions of the Germans. One of the boys, Flyora, finds an SVT-40 rifle, though the both of them are seen by an Fw 189 flying overhead. The next day, partisans arrive at Flyora's house to conscript him. Flyora becomes a low-rank militiaman and is ordered to perform menial tasks. When the partisans are ready to move on, an old partisan says that he wants to stay behind because his boots are falling apart. The partisan commander, Kosach, orders the old man to swap boots with Flyora and for Flyora to remain behind at the camp. Bitterly disappointed, Flyora walks into the forest weeping and meets Glasha, a young girl working as a nurse in the camp, and the two bond before the camp is suddenly attacked by German paratroopers and dive bombers. Flyora is partially deafened from explosions before the two hide in the forest to avoid the German soldiers. Flyora and Glasha travel to his village, only to find his home deserted and covered in flies. Denying that his family is dead, Flyora believes that they are hiding on a nearby island across a bog. As they run from the village in the direction of the bogland, Glasha glances across her shoulder, seeing a pile of executed villagers' bodies stacked behind a house, but does not alert Flyora. The two become hysterical after wading through the bog, where Glasha then screams at Flyora that his family are actually dead in the village. They are soon met by Roubej, a partisan fighter, who takes them to a large group of villagers who have fled the Germans. Flyora sees the village elder, badly burnt by the Germans, who tells him that he witnessed his family's execution and that he should not have dug up the rifles. Flyora accepts that his family is dead and blames himself for the tragedy. Roubej takes Flyora and two other men to find food at a nearby warehouse, only to find it being guarded by German troops. During their retreat, the group unknowingly wanders through a minefield resulting in the deaths of the two companions. That evening Roubej and Flyora sneak up to an occupied village and manage to steal a cow from a collaborating farmer. However, as they escape across an open field, Roubej and the cow are shot and killed by a German machine gun. The next morning, Flyora attempts to steal a horse and cart but the owner catches him and instead of doing him harm, he helps hide Flyora's identity when SS troops approach. Flyora is taken to the village of Perekhody, where they hurriedly discuss a fake identity for him, while the SS unit (based on the Dirlewanger Brigade) accompanied by Ukrainian collaborators surround and occupy the village. Flyora tries to warn the townsfolk they are being herded to their deaths, but is forced to join them inside a church. Flyora and a young woman bearing a strong resemblance to Glasha manage to escape; the young woman is dragged by her hair across the ground and into a truck to be gang raped, while Flyora is forced to watch as several Molotov cocktails are thrown onto and within the church before it is further set ablaze with a flamethrower as other soldiers shoot into the building. A German officer points a gun to Flyora's head to pose for a picture before leaving him to slump to the ground as the soldiers leave. Flyora later wanders out of the scorched village in the direction of the Germans, where he discovers they had been ambushed by the partisans. After recovering his jacket and rifle, Flyora comes across the young woman who had also escaped the church in a fugue state and covered in blood after having been gang-raped and brutalized. Flyora returns to the village and finds that his fellow partisans have captured eleven of the Germans and their collaborators, including the commander, an SS-Sturmbannführer. While some of the captured men including the commander plead for their lives and deflect blame, a young fanatical officer bluntly tells the captors that their people have no right to exist and they will carry out their mission. Kosach then forces most of the collaborators to douse the Germans with a can of petrol but the disgusted crowd shoots them all before they can be set on fire. As the partisans leave, Flyora notices a framed portrait of Adolf Hitler in a puddle and proceeds to shoot it numerous times. As he does so, a montage of clips from Hitler's life play in reverse, but when Hitler is shown as a baby on his mother 's lap, Flyora stops shooting and cries. “ We are obliged to exterminate the population—this is part of our mission to protect the German population. I have the right to destroy millions of people of a lower race who breed like worms. ” — Adolf Hitler, 1941 [13] In the final scene, a partisan officer calls out to a low-ranking recruit. Flyora turns, but an obedient youth nearby rushes past him, and Flyora realizes he is now a full partisan. He then catches up and blends in with his comrades, marching through the woods as snow blankets the ground. As they disappear into the birch forest, a title informs: "628 Belorussian villages were destroyed, along with all their inhabitants. " [14] Cast [ edit] Aleksey Kravchenko as Flyora Olga Mironova as Glasha/Glafira Liubomiras Laucevičius as Kosach (voiced by Valeriy Kravchenko) Vladas Bagdonas as Roubej Jüri Lumiste as young German officer Evgeniy Tilicheev as Ukrainian collaborator and translator Viktor Lorents as the German commander Production and release [ edit] Klimov co-wrote the screenplay with Ales Adamovich, who fought with the Belarusian partisans as a teenager. According to the director's recollections, work on the film began in 1977: The 40th anniversary of the Great Victory was approaching. [4] [15] [16] The management had to be given something topical. I had been reading and rereading the book I Am from the Fiery Village, which consisted of the first-hand accounts of people who miraculously survived the horrors of the fascist genocide in Belorussia. Many of them were still alive then, and Belorussians managed to record some of their memories onto film. I will never forget the face and eyes of one peasant, and his quiet recollection about how his whole village had been herded into a church, and how just before they were about to be burned, an officer gave them the offer: "Whoever has no children can leave". And he couldn't take it, he left, and left behind his wife and little kids... or about how another village was burned: the adults were all herded into a barn, but the children were left behind. And later, the drunk men surrounded them with sheepdogs and let the dogs tear the children to pieces. And then I thought: the world doesn't know about Khatyn! They know about Katyn, about the massacre of the Polish officers there. But they don't know about Belorussia. Even though more than 600 villages were burned there! And I decided to make a film about this tragedy. I perfectly understood that the film would end up a harsh one. I decided that the central role of the village lad Flyora would not be played by a professional actor, who upon immersion into a difficult role could have protected himself psychologically with his accumulated acting experience, technique and skill. I wanted to find a simple boy fourteen years of age. We had to prepare him for the most difficult experiences, then capture them on film. And at the same time, we had to protect him from the stresses so that he wasn't left in the loony bin after filming was over, but was returned to his mother alive and healthy. Fortunately, with Aleksey Kravchenko, who played Flyora and who later became a good actor, everything went smoothly. I understood that this would be a very brutal film and that it was unlikely that people would be able to watch it. I told this to my screenplay coauthor, the writer Ales Adamovich. But he replied: "Let them not watch it, then. This is something we must leave after us. As evidence of war, and as a plea for peace. " — Elem Klimov Come and See was shot only on Belarusian soil. The events with the people, the peasants, actually happened as shown in the film. [It] doesn't have any professional actors. Even the language spoken in the film is Belarusian. What was important was that all the events depicted in the film really did happen in Belarus. [18] For eight years, [15] filming could not begin because the State Committee for Cinematography (Goskino) would not accept the screenplay, considering it too realistic, calling it propaganda for the "aesthetics of dirtiness" and "naturalism". [17] Eventually in 1984, Klimov was able to start filming without having compromised to any censorship at all. The only change became the name of the film itself, which was changed to Come and See from the original title, Kill Hitler [19] (Elem Klimov also says this in the 2006 UK DVD release). [20] The film was shot in chronological order over a period of nine months. [19] Aleksey Kravchenko said that he underwent "the most debilitating fatigue and hunger. I kept a most severe diet, and after the filming was over I returned to school not only thin, but grey-haired. " [21] [19] To prepare the 13-year-old Kravchenko for the role, Klimov called a hypnotist. " I realized I had to inject him with content which he did not possess, Mr. Klimov said. This is an age when a boy does not know what true hatred is, what true love is. In the end, Mr. Kravchenko was able to concentrate so intensely that it seemed as if he had hypnotized himself for the role. " [22] [19] To create the maximum sense of immediacy, realism, hyperrealism, and surrealism operate in equal measure. [23] Klimov and his cameraman Rodionov employed naturalistic colours, widescreen and lots of Steadicam shots; the film is full of extreme close-ups of faces, does not flinch from the unpleasant details of burnt flesh and bloodied corpses, and the guns were often loaded with live ammunition as opposed to blanks. [4] [19] [24] [25] Aleksey Kravchenko mentioned in interviews that bullets sometimes passed just 4 inches (10 centimeters) above his head [19] (such as in the cow scene). [4] At the same time "the mise-en-scène is fragmentary and disjointed: there are discontinuities between shots as characters appear in close up and then disappear off camera. " "Klimov employs a range of techniques that draws attention to the camera. The extreme close-ups of actors staring into camera is a recurring motif. " "Elsewhere... the moment of revelation is marked by a disorienting zoom-in/dolly-out shot". [4] The film was released on 17 October 1985, [7] drawing 28. 9 million viewers [19] [14] and ranking sixth at the box office of 1986. [14] In 2017, the film received an official restoration overseen by Karen Shakhnazarov. It won the Venice Classics Award for Best Restored Film, and was also shown in several European independent cinemas again. [26] [27] [28] It is currently available in HD 1080p quality on YouTube with subtitles in many languages. [29] In the United States, Kino Lorber released the film on DVD in 2001. It is currently out-of-print. The film became available on FilmStruck, [16] the streaming service for the Criterion Collection from its opening on 1 November 2016 to its closing on 29 November 2018, and from November 2019 on the new Criterion Channel service. [30] On 18 December 2019, Janus Films released a trailer for an upcoming 2k-restoration that’s expected to premiere at the Film Forum in New York City on 21 February 2020 with a theatrical run and then, possibly, a restored home media release through Criterion. [31] [32] [33] [34] Music [ edit] The original soundtrack is rhythmically amorphous music composed by Oleg Yanchenko. [15] [35] At a few key points in the film classical music from mainly German or Austrian composers are used, such as Johann Strauss Jr. 's Blue Danube, sometimes mixed in with Yanchenko's music. The Soviet marching song The Sacred War, German folk song Im Wald im grünen Walde [ citation needed] and Russian folk song " Korobeiniki " ( lit. "Pedlars") [35] are played in the movie once. The German military march "Old Comrades " is played as the German army begins its attack on the village. [ citation needed] During the scene where Glasha dances, the background music is some fragments of Mary Dixon's song from Grigori Aleksandrov 's 1936 film Circus. [35] [36] At the end, during the photographic montage, music by Richard Wagner is used, most notably the Ride from Die Walküre [35] and the Tannhäuser Overture. [ citation needed] At the conclusion of the film, the partisans walk through a winter woodland to the sound of Mozart 's Lacrimosa before the camera tilts towards the sky and the ending credits appear. [35] Film critic Roger Ebert commented on this scene as follows: [37] There's a curious scene here in a wood, the sun falling down through the leaves, when the soundtrack, which has been grim and mournful, suddenly breaks free into Mozart. And what does this signify? A fantasy, I believe, and not Florya's, who has probably never heard such music. The Mozart descends into the film like a deus ex machina, to lift us from its despair. We can accept it if we want, but it changes nothing. It is like an ironic taunt. Themes [ edit] It has often been noted how the film mixes a ruthless "hyper-realistic" take on the Holocaust during Operation Barbarossa, while at the same time hinting an underlying surrealist atmosphere without being "unreal". The image of Hitler shown in the film as a baby sitting on the maternal knees has no historical foundation. It is a photomontage devised by Klimov between this picture of infant Hitler and that of his mother The film mixes themes about philosophical existentialism, spiritual degradation, the human mind, etc, under Nazi carnage, extreme trauma, and also the politics behind the Nazi-German warfare, —with often poetic, classical apocalyptic themes, influences and "twilight state-like" or nightmarish, psychological dialogues. The film has been praised for how it shows one of human history's worst crimes with an honest and genuine take, rather than the more common, sentimental "Hollywood take" on the subject. The film's settings is often in vast, deep Belorussian forests and swamps. The nature (with both the hostility and fear and the peacefulness and beauty that can be found in it) plays a big role in the movie's symbolism and atmosphere. Politically it deals with the people's suffering under the Nazi invasion, and the essence and depth of the people's (both collective and individual) trauma, and also honoring the defense of the Slavic nations by partisans. As an anti-fascist and anti-war movie it brings up the ideological driving-forces behind the war on (and Holocaust in) Eastern Europe; i. e the Nazis' racial ideological hatred for so-called " Judeo-Bolshevism " as one of the main motives behind their genocides against Jews and Slavs. Come and See has been praised for the way it shows the Nazis on the Eastern Front as genocidal as they historically documented were, and for how it brings out the genuine sense of terror that people in reality felt with the mere presence of those forces. It shows their systematic calculated killings and their discretionary sadism. Klimov is said to make the viewer understand, and sense, what Fascism brought, in a metaphor of a "black plague", in similar style to the partisan song " The Sacred War " [ failed verification] and it's lyrics' description of it (i. e "the fascist hordes' black wings" and similar writings), which is also featured in the film. The movie is generally viewed as one of the most important anti-war movies ever made, one of the great movies in history and one with the most historically accurate depictions of the crimes on the Eastern Front, and in general one of the most important Holocaust movies. [18] [38] [19] [39] [40] [41] Reception [ edit] Box office [ edit] Come and See grossed 53, 822 in the United States and Canada, [42] and $96, 908 in other territories, for a total worldwide gross of $150, 730. [3] Critical response [ edit] Initial reception was positive. Walter Goodman wrote for The New York Times that "The history is harrowing and the presentation is graphic... Powerful material, powerfully rendered... ", and dismissed the ending as "a dose of instant inspirationalism, " but conceded to Klimov's "unquestionable talent. " [43] Rita Kempley, of the Washington Post, wrote that "directing with an angry eloquence, [Klimov] taps into that hallucinatory nether world of blood and mud and escalating madness that Francis Ford Coppola found in Apocalypse Now. And though he draws a surprisingly vivid performance from his inexperienced teen lead, Klimov's prowess is his visual poetry, muscular and animistic, like compatriot Andrei Konchalovsky 's in his epic Siberiade. " [44] Mark Le Fanu wrote in Sight & Sound that Come and See is a "powerful war film... The director has elicited an excellent performance from his central actor Kravchenko". [45] According to Klimov, the film was so shocking for audiences, however, that ambulances were sometimes called in to take away particularly impressionable viewers, both in the Soviet Union and abroad. [15] [20] Also according to Klimov, during one of the after-the-film discussions, an elderly German stood up and said: "I was a soldier of the Wehrmacht; moreover, an officer of the Wehrmacht. I traveled through all of Poland and Belarus, finally reaching Ukraine. I will testify: everything that is told in this film is the truth. And the most frightening and shameful thing for me is that this film will be seen by my children and grandchildren". [46] The film has since been widely acclaimed in the 21st century. In 2001 Daneet Steffens of Entertainment Weekly wrote that "Klimov alternates the horrors of war with occasional fairy tale-like images; together they imbue the film with an unapologetically disturbing quality that persists long after the credits roll. " [47] In 2001, J. Hoberman of The Village Voice reviewed Come and See, writing the following: "Directed for baroque intensity, Come and See is a robust art film with aspirations to the visionary – not so much graphic as leisurely literal-minded in its representation of mass murder. (The movie has been compared both to Schindler's List and Saving Private Ryan, and it would not be surprising to learn that Steven Spielberg had screened it before making either of these. ) The film's central atrocity is a barbaric circus of blaring music and barking dogs in which a squadron of drunken German soldiers round up and parade the peasants to their fiery doom... The bit of actual death-camp corpse footage that Klimov uses is doubly disturbing in that it retrospectively diminishes the care with which he orchestrates the town's destruction. For the most part, he prefers to show the Gorgon as reflected in Perseus 's shield. There are few images more indelible than the sight of young Alexei Kravchenko's fear-petrified expression. " [48] In the same publication in 2009, Elliott Stein described Come and See as "a startling mixture of lyrical poeticism and expressionist nightmare. " [49] In 2002, Scott Tobias of The A. V. Club wrote that Klimov's "impressions are unforgettable: the screaming cacophony of a bombing run broken up by the faint sound of a Mozart fugue, a dark, arid field suddenly lit up by eerily beautiful orange flares, German troops appearing like ghosts out of the heavy morning fog. A product of the glasnost era, Come and See is far from a patriotic memorial of Russia's hard-won victory. Instead, it's a chilling reminder of that victory's terrible costs. " [50] British magazine The Word wrote that " Come and See is widely regarded as the finest war film ever made, though possibly not by Great Escape fans. " [51] Tim Lott wrote in 2009 that the film "makes Apocalypse Now look lightweight". [52] In 2006, Geoffrey Macnab of Sight & Sound opined, "Klimov's astonishing war movie combines intense lyricism with the kind of violent bloodletting that would make even Sam Peckinpah pause. " [ citation needed] On 16 June 2010, Roger Ebert posted a review of Come and See as part of his "Great Movies" series, describing it as "one of the most devastating films ever about anything, and in it, the survivors must envy the dead... The film depicts brutality and is occasionally very realistic, but there's an overlay of muted nightmarish exaggeration... I must not describe the famous sequence at the end. It must unfold as a surprise for you. It pretends to roll back history. You will see how. It is unutterably depressing, because history can never undo itself, and is with us forever. " [37] [53] Come and See appears on many lists of films considered the best. In 2008, Come and See was placed at number 60 on Empire magazine's "The 500 Greatest Movies of All Time" in 2008. [54] It also made Channel 4 's list of 50 Films to See Before You Die [55] and was ranked number 24 in Empire magazine's "The 100 Best Films Of World Cinema" in 2010. [56] Phil de Semlyen of Empire has described the work as "Elim [ sic] Klimov’s seriously influential, deeply unsettling Belarusian opus. No film – not Apocalypse Now, not Full Metal Jacket – spells out the dehumanising impact of conflict more vividly, or ferociously... An impressionist masterpiece and possibly the worst date movie ever. " [57] It ranked 154 among critics, and 30 among directors, in the 2012 Sight & Sound polls of the greatest films ever made. [58] On review aggregator Rotten Tomatoes, the film holds an approval rating of 96%, based on 24 reviews, and an average rating of 8. 38/10. The website's critics consensus reads, "As effectively anti-war as movies can be, Come and See is a harrowing odyssey through the worst that humanity is capable of, directed with bravura intensity by Elem Klimov. " [7] Klimov did not make any more films after Come and See, [59] leading some critics to speculate as to why. In 2001, Klimov said, "I lost interest in making films... Everything that was possible I felt I had already done. " [22] Accolades [ edit] See also [ edit] List of Soviet submissions for the Academy Award for Best Foreign Language Film References [ edit] ^ " Come and See (15)". British Board of Film Classification. 16 December 1986. Retrieved 29 May 2013. ^ " IDI I SMOTRI (1985)". British Film Institute. Retrieved 5 December 2018. ^ a b " Come and See (1985)". Box Office Mojo. IMDb. Retrieved 6 March 2020. ^ a b c d e f Chapman, James (2008). "Chapter 2 war as tragedy (pp. 103ff. )". War and Film. Islington: Reaktion Books. ISBN 978-1-86189347-5. ^ Адамович, Алесь [ Adamovich, Ales]; Брыль, Янка [Visor, Vanya]; Калесник, Уладзимир Андрэевич [Kalesnik, Uladimir Andreevich] (1977). Я из огненной деревни... [ I Am from the Fiery Village... ] (in Belarusian). Minsk: Мастацкая лит-ра [Art lit-ra]. ^ Rein, Leonid (2011). The Kings and the Pawns. Collaboration in Byelorussia during World War II. New York City: Berghahn Books. ISBN 978-0-85745043-2. The stories of survivors from the burned villages were collected in the 1970s by three Byelorussian writers, Ales' Adamovich, Janka Bryl', and Vladimir Kolesnik and published as a book in Russian and Byelorussian under the title Ya iz ognennoj Derevni... [I am from the fiery village]. See Adamovich et al., Ya iz ognennoj Derevni... ( Minsk, 1977) ( p. 321). ^ a b c d " Come and See (Idi i smotri) (1985)". Rotten Tomatoes. Fandango. Retrieved 18 February 2020. ^ "The 58th Academy Awards (1986) Nominees and Winners". Academy of Motion Picture Arts and Sciences. 24 March 1986. Retrieved 5 March 2020. ^ "Біблія, Адкрыцьцё, Кіраўнік 6. Read Bible online" [The Bible, Revelation, Chapter 6] (in Belarusian). Retrieved 30 April 2019. ^ Garland, Anthony Charles (2007). A Testimony of Jesus Christ - Volume 1. A Commentary on the Book of Revelation. 2007. p. 325. ISBN 978-0-978-88641-7. ^ Wise, Damon (28 October 2013). "Top 10 war movies. 5. Come and See ". The Guardian. London. Retrieved 4 July 2016. ^ The same biblical quote is at the center of the film Horsemen (2009). ^ " " Хатынь" - Политика геноцида | Геноцид белорусского народа" [Khatyn - Genocide policy | The genocide of the Belarusian people]. (in Belarusian). Khatyn memorial. 2005. Retrieved 6 June 2019. ^ a b c d Youngblood, Denise Jeanne (2007). Russian War Films. On the Cinema Front, 1914-2005. Lawrence, Kansas: University Press of Kansas. 197. ISBN 978-0-700-61489-9. ^ a b c d Dunne, Nathan (18 July 2016). "Atrocity exhibition: is Come and See Russia's greatest ever war film? ". The Calvert Journal. Retrieved 20 July 2019. ^ a b c Noah, Will (10 January 2018). "Elem Klimov's Boundary-Pushing Satires". The Criterion Collection. Retrieved 11 November 2018. ^ a b Марина Мурзина [Marina Murzina] (20 October 2010). Иди и смотри: съёмки превратились для Элема Климова в борьбу с цензурой [ Come and See: shooting turned for Elem Klimov in the fight against censorship]. Аргументы и факты [Arguments and Facts] (in Russian) (42). Retrieved 30 August 2016. ^ a b Holloway, Ron (1986). "Interview with Elem Klimov". Kinema. Retrieved 18 February 2020. ^ a b c d e f g h i Niemi, Robert (2018). "Come and See [Russian: Idi i smotri] (1985) (pp. 61-63)". 100 Great War Movies. The Real History Behind the Films. Santa Barbara, California: ABC-CLIO. ISBN 978-1-440-83386-1. ^ a b "Elem Klimov about Come and see (interview with English subtitles)". 18 June 2010. Retrieved 20 February 2020. ^ Вера Маевская [Vera Maevskaia] (20 July 2004). Алексей КРАВЧЕНКО: "Со съемок фильма Климова "Иди и смотри" я вернулся не только страшно худой, но и седой" [Aleksey Kravchenko: "From the making of Klimov's film Come and See I returned not only terribly skinny, but also grizzled"]. Бульвар [Boulevard] (in Russian) (29). Retrieved 31 March 2018. ^ a b Ramsey, Nancy (28 January 2001). "FILM; They Prized Social, Not Socialist, Reality". The New York Times. Retrieved 5 May 2019. ^ Menashe, Louis (2014) [ 2010]. Moscow Believes in Tears. Russians and Their Movies. Washington, D. C. : New Academia Publishing, LLC. pp. 95 - 96. ISBN 978-0-984-58322-5. ^ Stilwell, Blake (26 April 2017). "This Soviet WWII movie used real bullets instead of blanks".. Retrieved 31 March 2018. ^ Gault, Matthew (28 May 2016). " ' Come and See' Turns the Eastern Front Into a Hallucinatory Hellscape".. Retrieved 31 March 2018. ^ a b c "Biennale Cinema 2017 | Official Awards of the 74th Venice Film Festival". Venice Film Festival. 9 September 2017. Retrieved 18 February 2020. ^ "Come And See (Idi I Smotri) - English subtitled - Lumière Cinema Maastricht".. Retrieved 18 February 2020. ^ "New Restoration of Elem Klimov's Come and See Wins Best Restored Film Award at Venice Classics".. 11 September 2017. Retrieved 19 February 2020. ^ Киноконцерн "Мосфильм" ["Mosfilm" Cinema Concern] (29 May 2018). "Иди и смотри" [Come and See]. Youtube. Retrieved 26 February 2020. ^ "Come and See - The Criterion Channel".. Retrieved 28 February 2020. ^ Barfield, Charles (18 December 2019). " ' Come And See' 2K Restoration Trailer: Elem Klimov Incredible War Gets Re-Released In 2020".. Retrieved 18 February 2020. ^ Janus Films [@janusfilms] (18 December 2019). "COME AND SEE (Tweet). Retrieved 18 February 2020 – via Twitter. ^ Janus Films (13 December 2019). "COME AND SEE - NEW RESTORATION TRAILER". Retrieved 18 February 2020 – via Vimeo. ^ " Come and See (21 February 2020 re-release)". Retrieved 20 February 2020. ^ a b c d e Egorova, Tatiana K. (1997). Soviet Film Music. An Historical Survey. Translated by Tatiana A. Ganf and Natalia Aleksandrovna Egunova. Reading, Berkshire: Harwood Academic Publishers. 243. ISBN 978-3-718-65910-4. ^ Salys, Rimgaila (2009). The Musical Comedy Films of Grigorii Aleksandrov. Laughing Matters. Bristol: Intellect Books. 151. ISBN 978-1-841-50282-3. ^ a b Ebert, Roger (16 June 2010). "Come and See".. Retrieved 25 February 2014. ^ Kirschenbaum, Lisa A. (2006). The Legacy of the Siege of Leningrad, 1941–1995. Myth, Memories, and Monuments. Cambridge University Press. 180f. ISBN 978-1-139-46065-1. ^ "Idi i smotri | Viennale". Vienna International Film Festival. 15 November 2019. Retrieved 18 February 2020. ^ Kumar, Arun (30 June 2019). "Come and See [1985]: A Chilling and Indelible Reminder of Nazi Carnage".. Retrieved 18 February 2020. ^ Goscilo, Helena; Hashamova, Yana, eds. (2010). Cinepaternity. Fathers and Sons in Soviet and Post-Soviet Film. Bloomington, Indiana: Indiana University Press. 95ff. ISBN 978-0-253-22187-2. ^ " Come and See (1985)". The Numbers. Nash Information Services, LLC. Retrieved 6 March 2020. ^ Goodman, Walter (6 February 1987). "Film: 'Come and See', from Soviet". Retrieved 30 May 2013. ^ Kempley, Rita (25 September 1987). " Come and See review". The Washington Post. Retrieved 7 January 2017. ^ Le Fanu, Mark (Spring 1987). "Partisan | Come and See Review". Sight & Sound. Retrieved 18 February 2020. ^ Jefferies, Jordon (29 October 2015). "6 Non-Traditional Horror Films to watch this Halloween". The State of the Arts. Retrieved 19 February 2020. ^ Steffens, Daneet (2 November 2001). "Come and See". Entertainment Weekly. Retrieved 20 January 2017. ^ Hoberman, J. (30 January 2001). "High Lonesome". The Village Voice. New York City. Retrieved 25 February 2014. ^ Stein, Elliott (18 August 2009). Retrieved 25 February 2014. ^ Tobias, Scott (19 April 2002). "Come And See". The A. Club. Chicago: Onion, Inc. Retrieved 25 February 2014. ^ The Word (41). July 2006. p. 122. ^ Lott, Tim (24 July 2009). "The worst best films ever made". Retrieved 25 February 2014. ^ Yet in the biblical context chosen by Klimov for his movie, always in Chapter 6 of the Apocalypse, verse 14 states: "the sky receded as a scroll when it is rolled up" ( 6:14 || Isaiah 34:4). ^ "The 500 Greatest Movies of All Time". Empire. November 2008. Archived from the original on 10 March 2012. Retrieved 19 February 2020. ^ "Film4's 50 Films To See Before You Die". Channel 4. 22 July 2006. Archived from the original on 27 April 2008. Retrieved 19 February 2020. ^ "The 100 Best Films Of World Cinema". 2010. Archived from the original on 2 December 2011. Retrieved 19 February 2020. ^ de Semlyen, Phil (11 October 2010). "Become A War Films Expert In Ten Easy Movies". Archived from the original on 19 October 2012. Retrieved 18 February 2020. ^ "Votes for IDI I SMOTRI (1985)". Retrieved 20 January 2017. ^ Bergan, Ronald (4 November 2003). "Obituary: Elem Klimov". Retrieved 8 June 2009. ^ "14th Moscow International Film Festival (1985)". MIFF. Archived from the original on 16 March 2013. Retrieved 9 February 2013. ^ "14th Moscow International Film Festival - Fipresci". FIPRESCI. 12 July 1985. Retrieved 19 February 2020. Further reading [ edit] Michaels, Lloyd (2008). " Come and See (1985): Klimov's Intimate Epic". Quarterly Review of Film and Video. 25 (3): 212–218. doi: 10. 1080/10509200601091458. External links [ edit].

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Phoenix 2c oregon watch full mall. 0:57 I'm sold. WOW. So dry there. did you guys get any rain at all there. Phoenix, Oregon City Phoenix City Hall Motto(s): The Other Phoenix Location in Oregon Coordinates: 42°16′28″N 122°49′7″W / 42. 27444°N 122. 81861°W Coordinates: 42°16′28″N 122°49′7″W / 42. 81861°W Country United States State Oregon County Jackson Incorporated 1910 Government • Mayor Chris Luz [1] Area [2] • Total 1. 43 sq mi (3. 69 km 2) • Land 1. 69 km 2) • Water 0. 00 sq mi (0. 00 km 2) Elevation 1, 543 ft (470. 3 m) Population ( 2010) [3] • Total 4, 538 • Estimate (2018) [4] 4, 602 • Density 3, 227. 21/sq mi (1, 245. 80/km 2) Time zone UTC-8 ( Pacific) • Summer ( DST) UTC-7 (Pacific) ZIP code 97535 Area code(s) 541 and 458 FIPS code 41-57500 [3] GNIS feature ID 1161474 [5] Website Phoenix is a city in Jackson County, Oregon, United States. The population was 4, 538 at the 2010 census. Phoenix is a part of the Medford Metropolitan Statistical Area, in the Rogue Valley, and is 3 miles (5 km) southeast of Medford on Interstate 5. History [ edit] The Phoenix area was settled in about 1850 by brothers Hiram and Samuel Colver. Samuel Colver laid out the town in 1854. Early residents included Milton Lindley, who operated a sawmill that provided timbers in 1855 for a blockhouse as well as a flouring mill owned by Sylvester M. Wait. For a time, the settlement was known locally as Gasburg after a talkative employee in the kitchen serving the mill hands. Wait, who was an agent for the Phoenix Insurance Company of Hartford, Connecticut, assigned the official name, Phoenix, to the community and, in 1857, to its post office. Waitsburg, Washington, was later named after Wait. [6] Geography [ edit] According to the United States Census Bureau, the city has a total area of 1. 44 square miles (3. 73 km 2), all of it land. [7] The city is south of Medford and north of Talent and Ashland along Interstate 5 and Oregon Route 99. This is toward the southern end of the Rogue River Valley, near the Siskiyou Mountains and the border with California. [8] Coleman Creek, a tributary of Bear Creek, joins the larger stream at Phoenix. [8] The Bear Creek Greenway, a biking and hiking trail connecting Ashland, Talent, Medford, and Central Point along Bear Creek, also passes through Phoenix. [9] Climate [ edit] This region experiences hot and dry summers, and cool and wet winters. According to the Köppen climate classification system, Phoenix has a hot-summer Mediterranean climate, abbreviated Csa on climate maps. [10] Phoenix's record-high temperature is 113 °F (45. 0 °C) on August 2, 2017, and the record-low temperature is −8 °F (−22. 2 °C) on December 9, 1972. [11] Climate data for Phoenix, Oregon Month Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec Year Record high °F (°C) 70 (21) 77 (25) 81 (27) 93 (34) 98 (37) 107 (42) 109 (43) 113 (45) 106 (41) 95 (35) 76 (24) 68 (20) Average high °F (°C) 50 (10) 56 (13) 62 (17) 67 (19) 83 (28) 92 (33) 87 (31) 73 (23) 48 (9) Average low °F (°C) 31 (−1) 33 (1) 35 (2) 39 (4) 45 (7) 57 (14) 49 (9) 40 (4) 42 (6) Record low °F (°C) −1 (−18) 11 (−12) 22 (−6) 25 (−4) 27 (−3) 37 (3) 26 (−3) 17 (−8) 9 (−13) −8 (−22) Average precipitation inches (mm) 2. 77 (70) 2. 32 (59) 2. 26 (57) 1. 61 (41) 1. 41 (36) 0. 77 (20) 0. 50 (13) 0. 57 (14) 0. 95 (24) 1. 51 (38) 3. 20 (81) 3. 27 (83) 21. 14 (536) Average snowfall inches (cm) 2. 6 (6. 6) 0. 5 (1. 3) 0. 3 (0. 76) 0. 2 (0. 51) 0 (0) 0. 1 (0. 25) 1. 9 (4. 8) 5. 6 (14. 22) Source #1: Intellicast (records and precipitation totals): [11] Source #2: WorldWeatherOnline (average temps): [12] Demographics [ edit] Historical population Census Pop. %± 1880 277 — 1910 250 — 1920 159 −36. 4% 1930 439 176. 1% 1940 432 −1. 6% 1950 746 72. 7% 1960 769 3. 1% 1970 1, 287 67. 4% 1980 2, 309 79. 4% 1990 3, 239 40. 3% 2000 4, 061 25. 4% 2010 4, 538 11. 7% Est. 2018 4, 602 [4] 1. 4% U. S. Decennial Census [13] 2010 census [ edit] As of the census of 2010, there were 4, 538 people, 2, 001 households, and 1, 178 families living in the city. The population density was 3, 151. 4 inhabitants per square mile (1, 216. 8/km 2). There were 2, 149 housing units at an average density of 1, 492. 4 per square mile (576. 2/km 2). The racial makeup of the city was 84. 0% White, 0. 9% African American, 1. 5% Native American, 1. 3% Asian, 0. 2% Pacific Islander, 7. 9% from other races, and 4. 3% from two or more races. Hispanic or Latino of any race were 15. 8% of the population. [3] There were 2, 001 households of which 24. 3% had children under the age of 18 living with them, 42. 7% were married couples living together, 10. 6% had a female householder with no husband present, 5. 5% had a male householder with no wife present, and 41. 1% were non-families. 33. 1% of all households were made up of individuals and 16. 9% had someone living alone who was 65 years of age or older. The average household size was 2. 26 and the average family size was 2. 87. [3] The median age in the city was 44 years. 20. 7% of residents were under the age of 18; 7. 5% were between the ages of 18 and 24; 22. 8% were from 25 to 44; 26. 9% were from 45 to 64; and 22% were 65 years of age or older. The gender makeup of the city was 46. 9% male and 53. 1% female. [3] 2000 census [ edit] The Phoenix Shopping Center sign in Phoenix, Oregon As of the census of 2000, there were 4, 060 people, 1, 746 households, and 1, 117 families living in the city. The population density was 3, 249. 8 people per square mile (1, 254. 1/km 2). There were 1, 850 housing units at an average density of 1, 480. 8 per square mile (571. 4/km 2). The racial makeup of the city was 89. 95% White, 0. 86% African American, 1. 08% Native American, 0. 67% Asian, 0. 17% Pacific Islander, 4. 51% from other races, and 2. 76% from two or more races. Hispanic or Latino of any race were 8. 89% of the population. [3] There were 1, 746 households out of which 28. 5% had children under the age of 18 living with them, 49. 6% were married couples living together, 11. 1% had a female householder with no husband present, and 36. 0% were non-families. 29. 3% of all households were made up of individuals and 14. 32 and the average family size was 2. 84. [3] In the city, the population was spread out with 23. 2% under the age of 18, 7. 5% from 18 to 24, 24. 7% from 25 to 44, 23. 5% from 45 to 64, and 21. 1% who were 65 years of age or older. The median age was 41 years. For every 100 females, there were 90. 1 males. For every 100 females age 18 and over, there were 84. 0 males. [3] The median income for a household in the city was $31, 701, and the median income for a family was $38, 176. Males had a median income of $29, 832 versus $23, 719 for females. The per capita income for the city was $16, 828. About 8. 6% of families and 11. 6% of the population were below the poverty line, including 19. 3% of those under age 18 and 4. 3% of those age 65 or over. [3] Education [ edit] Phoenix is part of the Phoenix-Talent School District. The city is the site of two of the five schools in the district—Phoenix Elementary School and Phoenix High School, as well as Armadillo Technical Institute, a public charter school. [14] Notable people [ edit] Tami Farrell, Miss Oregon Teen USA 2003, Miss Teen USA 2003, Miss California USA 2009 Neighb'rhood Childr'n, 1960s psychedelic rock group Bill Pearl, world champion bodybuilder Dennis W. Day, actor and original Mickey Mouse Club (1955–57) cast member who notably went missing from his Phoenix home in July 2018 [15] and was later found dead. [16] In popular culture [ edit] An independent film titled Phoenix, Oregon was produced in 2018 and revolves around two characters who live in the city. Despite this, the film was actually shot in Klamath Falls, Oregon. [17] References [ edit] ^ ^ "2018 U. Gazetteer Files". United States Census Bureau. Retrieved Feb 12, 2020. ^ a b c d e f g h i "American FactFinder". Retrieved 2012-12-21. ^ a b "Population and Housing Unit Estimates". Retrieved June 4, 2019. ^ "US Board on Geographic Names". United States Geological Survey. 2007-10-25. Retrieved 2008-01-31. ^ McArthur, Lewis A. ; Lewis L. McArthur (2003) [1928]. Oregon Geographic Names (7th ed. ). Portland, Oregon: Oregon Historical Society Press. p. 760. ISBN 0-87595-277-1. ^ "US Gazetteer files 2010". Archived from the original on 2012-07-02. Retrieved 2012-12-21. ^ a b Oregon Road & Recreation Atlas (5th ed. Santa Barbara, California: Benchmark Maps. 2012. p. 96. ISBN 978-0-929591-62-9. ^ "Map". Bear Creek Greenway Foundation. Retrieved October 12, 2015. ^ "Phoenix, Oregon". Weatherbase. CantyMedia. Retrieved October 5, 2015. ] ^ a b "Historic Averages for Phoenix, Oregon". Retrieved 2015-05-05. ^ "Phoenix, Oregon: World Weather Online". Retrieved 2015-08-21. ^ "Census of Population and Housing".. Retrieved June 4, 2015. ^ Armadillo Technical Institute ^ Hillier, Bianca (February 25, 2019). "Missing in America: Family searching for original Mickey Mouse Club Mouseketeer Dennis Day, missing from Oregon since July 2018". NBC News. Retrieved April 9, 2019. ^ Bassinger, Sean (May 8, 2018). "It's titled 'Phoenix, Oregon, ' but movie shot in K Falls". The Mail Tribune. Retrieved May 10, 2018. External links [ edit] Listing for Phoenix in the Oregon Blue Book.

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Duration - 1 Hour 40Minutes Cast - Dan Stevens description - The Call of the Wild is a movie starring Karen Gillan, Harrison Ford, and Cara Gee. A sled dog struggles for survival in the wilds of the Yukon Release Year - 2020. Resumo do livro o apelo selvagem. Hey flinter I got my first black market in rocket league. Yesss i have been waiting for this cuz i love this game. Wouldnt the. 270 give integrity on Blacktail.

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It's not working on Xbox. 35 yards with birdshot will drop a fox no problem. 85 yards aiming a smidgen high will drop a duck no problem. Those damn geese take two shots to get full quick kill though. I tried the buckshot yesterday knowing it used to give integrity but got none at all. Harold is the only professional Ronald McDonald in my state. He’s a classically trained method actor, and even studied for two years at Julliard. For this reason, the general manager at the McDonald's I work at pays big money to have him perform exclusively at our location. If you’re wondering why such an accomplished actor has dedicated his life to performing as a fast food clown, then you’re not alone. My co-workers and I ask this question constantly, and have yet to develop a consensus. However, we all agree that it has to do with kid’s birthday parties. Harold specializes in kid’s birthday parties. His performances are a spectacle to behold, and fill our store to the rafters every Saturday. But recently, his performances are getting too intense. What follows is an account of his most recent performance, which has already become a local legend. Harold’s act started normally. He gathered the kids into the Play Place, introduced himself, and started singing McDonalds songs, all of which he composed himself. Within moments the families gathered around him started laughing and clapping. Their enthusiasm only increased the passion with which he performed, and before long he was twirling around their tables as if he were on Broadway. I smiled at Harold from the fryer. The Play Place is in perfect view from my position in the kitchen, so every Saturday I pass my shift watching his performances. Occasionally, my manager even gives me permission to film his act for our location’s website. When Harold finished singing, he began to juggle. Unlike most party clowns—who struggle with more than three balls—he’s a master juggler. Within seconds he had ten balls in the air, which soared above his head with such speed they looked like colored lights. Just as he was reaching for an eleventh ball, one of the kids booed. This jeer was so loud, and so unexpected, that Harold stumbled and dropped the balls. They rolled across the floor like scurrying insects and disappeared under the tables. An eerie silence descended over the Play Place as Harold regarded his audience, face stunned. “Juggling’s boring, ” yelled the kid. “You’re not even good at it. ” Harold grew still. During the three years that I had been working at McDonald’s, I’d never heard him get heckled. He was the definition of a professional. That his act was being met with anything but applause shocked me. A flash of anger overtook Harold’s face, but he quickly replaced this scowl with his famous smile. “Looks like our birthday boy isn’t a fan of juggling. ” He rounded up the balls and placed them in their case. “No worries, friend. Ronald’s got plenty of other tricks that you’ll enjoy. ” He ducked behind a miniature stage and donned his puppets. A few moments later Grimace and the Hamburgler popped up, and proceeded to have a conversation so convincing I felt like I was watching a professional ventriloquist. But half-way though this world class performance, the birthday boy resumed his booing. “Puppets are stupid! ” he said. “What do we look like, three-year-olds? ” Harold paused mid-sentence, angry scowl once again consuming his face. Not even the smile painted on his cheeks in bright red paint could conceal the ferociousness of his displeasure. He looked like he was only moments away from shouting, or at the very least abandoning his performance. I turned away from the fryer, despite the fries seconds away from burning. “This clown is stupid, isn’t he guys? ” said the birthday boy. “He’s not even funny. ” Harold looked at the boy’s parents. They refused to return his gaze. Instead, they stared down at the floor, as if they were afraid of reprimanding their son. It was then that I learned who wore the pants in the family, and feared for the sanctity of Harold’s act. “You’re right, ” said one of the other boys. “He is stupid. You should’ve had your birthday party at the movie theater like last year. ” This comment opened up the floodgates. All of the boys started hurling insults at Harold, who fielded them with the grace of a gazelle being devoured by a pack of hyenas. His face turned red with rage, and his hands started shaking with adrenaline. My manager walked over to me, arms crossed. “What’s going on in there? ” he said. “The kids are heckling Harold. I’ve never seen anything like it. ” The children roared with laughter as they took turns insulting him. Their parents simply sat at the tables, either ignoring their obnoxious kids or smiling at their jokes. “Should we do something? ” I said. “Not yet, ” said my manager. “Harold’s the professional. He’ll turn things around. ” We stepped aside as the runners placed ten trays of food on the counter. “Look parents! ” said Harold, jumping up from his stool and pointing at the counter. “Your food is ready. Better get it now while it’s hot! ” My manager and I looked at each other. Typically, the runners walked in the food. Never before had Harold paused his act in order to issue such a command. Before we had long to dwell on this change in routine, the horde of parents swarmed the counter, and our attention was consumed by passing out Happy Meals and slices of cake. Just as we were handing out the final slice of cake, one of the mom’s screamed. “What’s Ronald doing? ” she said. I wheeled my head towards the Play Place. The moment I saw Harold, my stomach dropped. He had blocked the door with three tables, and was approaching the frightened children on all fours. --- Harold scurried across the ground like a hunting animal. The children screamed as he approached. “What’s the matter, children? ” said Harold. “Don’t you want to play with Ronald? ” The children backed away from him, eyes wide with fear. A few of them were crying. I could hear their sniffles over the alarmed mutters of their parents. “Get away from us, ” said the birthday boy. “Why did you block the door? ” Harold ignored him. “It’s time for a contest, kids, ” he said. “First one to the ball pit wins. ” I stumbled as a panicked mom bumped into me. Parents were running around the store wildly, making it difficult to see inside the Play Place. A handful of dads were gathered around the Play Place entrance, trying to pull open the door. “Call the police! ” someone shouted. I watched as Harold crept closer to the children. “Don’t be scared. I’m here to entertain you. Our time together is special. Let’s not waste it. ” The children whimpered as Harold passed close enough to touch them. “What are you waiting for, children? The ball pit awaits! ” He grabbed the birthday boy and tossed him towards the slide. His head struck the slide’s lip at an awkward angle, snapping his neck. “Whoops! ” A stunned silence descended over the store, followed by panicked screams. The dads started banging empty trays against the Play Place door, trying to break through the glass. But the glass held firm. The birthday boy tumbled to the ground, eyes crossed, mouth bloody, and spine crooked. His tongue rolled out of his mouth as stomach acid poured from his throat. The remaining children screamed and fled into the playground—for it was their only safe haven from their assailant. Harold followed them, hollering like an air raid siren. His eyes were wild and his movements spasmodic, as if he had gone psychotic. I watched him round up the kids one by one and stuff them in the ball pit. The children flailed in his arms as he carried them, crying hysterically. Once all of the children were neck deep in the ball pit, he stood upon its precipice, smiling. “Looks like it’s a tie, ” said Harold. “Which means all of you get the prize! ” Harold reached behind him and picked up the plastic ball pit cover. How he was able to lift this unaided perplexes me to this day. Typically, maneuvering it into position required the strength of three men. The dads pounded wildly against the door, hurling curses at Harold. Out of the corner of my eye I saw flashing red and blue lights as two patrol cars came to a screeching halt beside the door. “Are you ready for the next contest, children? ” said Harold. His question was answered by frenzied cries. “Whoever can hold their breath the longest wins! ” He lowered the cover onto the pit, forcing the children’s head beneath the balls. The guttural shrieks their parents emanated as Harold danced on top of the cover while their children struggled for air will haunt me to my grave. The police officers broke down the door a few minutes later, but it was too late. All eleven kids had already suffocated. Harold let them handcuff him without putting up a fight. He turned towards the sobbing parents as they ushered him through the door. “I do Christmas parties too, folks, ” he said. “I play a mean Frosty the Snowman. ”.

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Correspondent: Matthew Kearns
Biography: Host of Second Look on Take 3, Member of the Sporadic Council, Kaydel Ko Connix fanpage #YodiAlliance

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